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Impressionism
A Brief History
French/European
Impressionists
Monet,
Claude
Van Gogh,Vincent
Renoir, Pierre Auguste
Degas, Edgar
Cezanne, Paul
Seurat, Georges
Manet, Eduoard
Toulouse-Lautrec, Henri
Sisley, Alfred
Pissarro, Camille Jacob
Morisot, Berthe
Boudin, Eugene
Caillebotte, Gustave
Sorolla, Joaquin
Fantin-Latour, Henri
Bonnard, Pierre
Gauguin, Paul
Vuillard, Edouard
Martin, Henri
Redon, Odilon
Other Impressionists
American
Impressionists
Thompson,
Richard Earl
Cassatt, Mary
Sargent, John Singer
Whistler, James McNeill
Hassam, Childe
Benson, Frank Weston
Prendergast, Maurice
Twachtman, John Henry
Chase, William Merritt
Tarbell, Edward
Vonnoh, Robert
Reid, Robert
Metcalf, Willard
Beaux, Cecilia
Potthast, Edward
Chadwick, William
Hale, Philip Leslie
Curran, Charles Courtney
Graves, Abbott Fueller
Frieseke, Frederick
Glackens, William
Maley, Alan
Ruby,
Claire
Terelak, John C
Wallis, Kent
Schofield, Michael
Plisson, Henri
Romanello, Diane
Singley, Greg
Title, Christian
Horning, Elizabeth
Hatfield, Don
Aspevig, Clyde
Afsary, Cyrus
Hayslette, Max
Schmid, Richard
Dunlay, Thomas
Ellis, Ray
Gertenbach, Lynn
Zhan, Charles
Duncan, Robert
Hails, Barbara
Wood, Barbara
Behrens, Howard
Other Impressionists
Popular
Favorites
Dali,
Salvador
Michelangelo
Da Vinci, Leonardo
Picasso, Pablo
Rockwell, Norman
Matisse, Henri E
Klimt, Gustav
Escher, M.C.
Mucha, Alphonse
Potter, Beatrix
Geddes, Anne
Anderson, Kim
Vettriano, Jack
O'Keeffe, Georgia
Parrish, Maxfield
Homer, Winslow
Hopper, Edward
Wyeth, Andrew
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Richard
Earl Thompson-Biography
"Nature's
Preservationist in Paint"TM
Richard
Earl Thompson (1914-1991). Richard Earl Thompson's legacy to the world
is the gift of enduring beauty - nature captured on canvas in all its
myriad moods. An American Impressionist of renown, he has been compared
to Monet, but preferred to think of himself as "AN EXTENSION" to the
impressionists "A CONTINUING LINK." Profoundly influenced by the Master
of the French Impressionist School, he also embraced ideas from Spanish,
Italian and American painters. Creating his own unique style by incorporating
a broader 20th Century color palette, which included earth tones, and
combining painting techniques, Thompson's canvases convey a powerful
and harmonious combination of diversified subject matter, exquisite
brush work, skillful draftsmanship and luminosity. He summed up his
painting simply, "I hope I have sincerity. I have tried to interpret
things as I feel inside. I have tried not to be something I am not.
No shock treatments, no political messages, compositions based rather
on tranquil scenes - a sincere approach to painting to which all people
can relate. When drawing, the proportion is pretty well established,
and I like to devote time to the color of things as the sun creates
them. Color, then is unlimited; it is ever-changing. I see myself
not as an extension of the camera, but of the emotions these colors
can evoke." He remarked that today we have colors at our fingertips
that the early impressionists lacked so we can arrive at even greater
variations of light and color. Through the years he perfected the use
of color to such an extent that his painting vary from subtle mood scenes
and pleasant tranquil setting to high brilliance.
A child prodigy at the Chicago Academy of Fine Art at the age of 15,
he was taken under the wing
of Frederick Grant, who was a student of William Merritt Chase, one
of America's great painters. From there he continued at the American
Academy of Art and then on to the Chicago Art Institute to study under
Louis Ritman. He felt strongly that the fundamental training of drawing,
color and composition instilled in those early days provided him the
sound basis from which to develop his mature technique.
Bellingrath Gardens - Private Collection
Both musically and artistically gifted, at the age of 18 he made the
decision to pursue a career in art rather than opera. He felt that
he had to paint in order to live fully. Thompson often compared art
to music, feeling that they were akin, only communication in a different
form. He has stated, "The world is looking for this communication.
A painting that doesn't have to be explained, but simply portrays a
beautiful feeling to which people can relate, is communication." The
combination of the Depression with the insurgence of the Modern Art
Era, and the necessity of supporting a family, let Thompson to choose
an early career in commercial art. Many will look back with a tinge
of nostalgia recalling the back covers of the "Saturday Evening Post,"
some of which Thompson was responsible for while working with Haddon
Sundbloom who created many of the famous Coca-Cola ads. Also among
his commercial art credits are the famous World War II War Bond Posters
which he was commissioned to paint by the U.S. Government.
Distinguished and highly successful as his commercial art career was,
he never gave up his ambition to have the "fine art" career for which
he had been trained. In 1959 with commercial illustration being replaced
slowly by photography, he turned to fine art as a full time career.
He credited his commercial art background with aiding him in his ability
to do figures so well and to combine landscapes and figurative works
so dramatically. Sensitive to nuance, Thompson lived a very special
life among nature in the woods of Wisconsin and on the shores of the
Florida Key with his supportive and lovely wife, Mary Munn during his
highly productive years of
fine art. He said "I have thoroughly enjoyed my years of adventure in
painting; they have provided
me with a way to live. What is most important to me now is doing the
thing I've always wanted to do, surrounded by nature and those who are
closest to me. What more can any man ask?"Collectors and admirers
of Richard Earl Thompson's personal expressions of nature, which he
held so dear would agree: his "small moments of time" captured forever
on canvas touch us, please the spirit and fill the soul with joy.
Frosty Morn - Collection R.W. Norton Art Gallery - Museum Shreveport
LA
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