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Impressionism
A Brief History
French/European
Impressionists
Monet,
Claude
Van Gogh,Vincent
Renoir, Pierre Auguste
Degas, Edgar
Cezanne, Paul
Seurat, Georges
Manet, Eduoard
Toulouse-Lautrec, Henri
Sisley, Alfred
Pissarro, Camille Jacob
Morisot, Berthe
Boudin, Eugene
Caillebotte, Gustave
Sorolla, Joaquin
Fantin-Latour, Henri
Bonnard, Pierre
Gauguin, Paul
Vuillard, Edouard
Martin, Henri
Redon, Odilon
Other Impressionists
American
Impressionists
Thompson,
Richard Earl
Cassatt, Mary
Sargent, John Singer
Whistler, James McNeill
Hassam, Childe
Benson, Frank Weston
Prendergast, Maurice
Twachtman, John Henry
Chase, William Merritt
Tarbell, Edward
Vonnoh, Robert
Reid, Robert
Metcalf, Willard
Beaux, Cecilia
Potthast, Edward
Chadwick, William
Hale, Philip Leslie
Curran, Charles Courtney
Graves, Abbott Fueller
Frieseke, Frederick
Glackens, William
Maley, Alan
Ruby,
Claire
Terelak, John C
Wallis, Kent
Schofield, Michael
Plisson, Henri
Romanello, Diane
Singley, Greg
Title, Christian
Horning, Elizabeth
Hatfield, Don
Aspevig, Clyde
Afsary, Cyrus
Hayslette, Max
Schmid, Richard
Dunlay, Thomas
Ellis, Ray
Gertenbach, Lynn
Zhan, Charles
Duncan, Robert
Hails, Barbara
Wood, Barbara
Behrens, Howard
Other Impressionists
Popular
Favorites
Dali,
Salvador
Michelangelo
Da Vinci, Leonardo
Picasso, Pablo
Rockwell, Norman
Matisse, Henri E
Klimt, Gustav
Escher, M.C.
Mucha, Alphonse
Potter, Beatrix
Geddes, Anne
Anderson, Kim
Vettriano, Jack
O'Keeffe, Georgia
Parrish, Maxfield
Homer, Winslow
Hopper, Edward
Wyeth, Andrew
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Claire
Ruby
"Nature's
Poet in Paint"TM
Claire
Ruby's impressionistic oil paintings are intimate projections of her
feelings onto canvas; it is her unique and lyrical expressions of these
spontaneous feelings which delight the viewer. Blending realism with
impressionistic light and color, she layers her landscapes, still life's,
figurative works and florals with luminous atmosphere. Contemporary
scenes along with images which have remained as vital memories from
her past in the Hungarian village of Losonc fill her canvases.
Recognized
as a child of great talent in Hungary (she began painting when she was
four), her talent earned her a scholarship to the Budapest Fine Arts
Academy where she learned basics, fundamentals and a rigid discipline.
Today she credits this rigorous training for her ability to capture
the most important essence of a subject - the "feeling" - without being
overly aware of technical considerations. Preferring to paint primarily
in oil and oil washes, although occasionally working in other media
such as pastel and watercolor, she follows a disciplined daily painting
schedule. Inspired by an image, she renders her impression as quickly
as possible, focusing on light, atmosphere and mood. Working from a
small on-the-spot sketch or a black and white photo as
a reminder and eschewing preliminary studies, Ruby concentrates on the
canvas, visualizing the finished work. Hues are mixed as needed.
Preferring to work by day, but having the studio lighting to enable
work to be done on gray, over-cast days and at night, she works through
a painting one piece at a time. She has been known to get out of bed
and paint whenever solutions to painting problems occur.
In the 1950's, at age 18 and with her father's encouragement, she immigrated
to the United States where she continued her studies at the Chicago
Art Institute. After completion of her studies, Claire worked for a
brief period in the field of commercial art. Between 1952 and 1955,
she studied with such professionally inspiring artists Cilfone, Turtle,
Grant, Eccles and Vickery.
As a young girl, Claire Ruby had to decide between painting and classical
piano. She chose painting because, "In music there are rigid rules,
plus hours and hours of repetitive practice. In art you never do a
painting over. Each canvas is a chance to express a new feeling".
She felt that there was never enough time in a day to practice both;
her choice was art, but her enjoyment of music inspires and compliments
art.
Claire
considers Impressionism to be one of the most beautiful ways to express
the feeling of an artist about a subject, and her work evidences her
serious professional commitment to fine art. She is a disciplined artist
who has mastered the fundamentals of classical art; one who imbues her
painting with a passion and sensitivity felt at the moment of inspiration.
She sums up her life as an artist be stating, "I'm very happy to be
a painter, to be able to put onto canvas the beauty of what is around
us instead of thinking about bad things, I'm in my own private world
there as soon as I go to the canvas".
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